Beauty School Freak-Out

Man, she is really upset about her new hairstyle!

Relax, sweetheart. Okay, so it's a little on the puffy side.

...Scratch that; it's huge. And misshapen. It's the Rondo Hatton of hair! It looks like a big white hairy butt, and I cannot lie. It's so big, Night Girl's hair has just issued a public challenge. There's to be a hair fight, like with those two gals in "Uzumaki." And Night Girl's hair can kick any other hairstyle to the curb. If I were you, I'd disguise that bloated abomination with a Pucci scarf and some "Jackie O." sunglasses, and I'd hop the next freighter to Helsinki. Taking refuge beneath the midnight sun is your only hope now.

Anybody Here Look Familiar?

*ahem* Well? ...Redheaded guy, third bubble from the left, next to the moon-faced blonde gal? No? Seriously? Oh, COME ON--!

It's me, motherfuckers! From back when I looked like this. I remember that day. I'd decided that morning that I'd try growing a mustache. It was coming in pretty good by 11 AM. By 4 PM it was Sam Elliott-sized, and then I got sick of it and shaved it back off. Anyhow. You might think the above panel is some sort of symbolic mental montage, but it most assuredly ain't. Nope! Y'see, Blondie up there lives in Central City, where the impossible vastness of the streets necessitated the invention of tesseract-based communication. Telephones? Those antiquated devices are decidedly out in Central City. It would take twelve days for the signal to cover the distance of even one city block! And cell phones--? Not that they had been invented yet, but feh! Feh, I say to you now. All the phones would need those giant CETI dishes on top just to capture the weakened signals. Forget it, brother! Tesseracts are the way to go. Want to talk to somebody? Just open up one of these miniature gloryholes wormholes and stick your head right through! It's easy! Although it gives a sinister "third dimension" to obscene calls, if you know what I mean.

So, the lady with all the dirt and grit in her hair (seriously, what is that crap?) thinks all these swingin' young squares are macking on her. If she would have let me finish talking (instead of flipping the fuck out) she would have heard my full sentence as "I need you, sweetheart, to tell me where all the best boutiques are!" Because I had some hand-made jewelry I was going to try to sell. And for some reason, the only guys in 1971 who were interested in huge chunky orange-and-purple jewelry were the ones without any money. So I thought I'd try the chick market instead. But it never worked out, because somehow I managed to get in a screaming match with every boutique owner in town.

But I'm sure it wasn't me. It was them.

Rescue Me Bonus: Son of the Annihilator

I'd like to start out with a belated tip of the cap to Sleestak for suggesting yesterday's post! Thanks, pal! Now, let's get down to business.

The main story in "Action Comics" #356 (November 1967) starts out on a bizarre note, as the Annihilator, a doughy Eurotrash doofus in an absurd costume, orders Superman to leave the Earth within forty-eight hours... and Superman agrees! Because the Annihilator is a dangerous individual. And he's obviously, unpredictably bat-shit crazy... a man who would willingly dress like that is capable of anything!

But the proceedings take an even freakier turn when the Annihilator decides to do what any publicly-loathed celebrity does to improve his image: adopt a kid who can show up in a few newspaper photos before he's handed over to the nanny for the rest of his natural life! His new son? A smart-mouthed teenage delinquent. Because, really, isn't that the obvious choice? Let's take a look at the irrepressible little scamp, starting with the cover.

What's wrong with this picture? (And no, the Annihilator's "Nostril Libre" mask doesn't count.) Here's a hint: it was published in 19-freaking-67. And yet the Son of the Annihilator is dressed like Marlon Brando in "The Wild One" (a film from 1953!). It's yet more proof of how DC was getting thoroughly drubbed in the Coolness Wars by Marvel Comics. Sure, Stan Lee was a middle-aged crypto-fascist conservative, but at least he could pretend to get his grooviness on! DC wore their John Birchian squareness right on their covers where every hippie could see it. But wait! It gets worse! Thanks to the cover artist (I'm guessing Neal Adams?) the Son of the Annihilator appears to be a darkly handsome "bad boy" whom any teenage girl (and more than a few teenage boys) would swoon for. So far, not bad. But let's see how interior artist (Wayne Boring, I think) depicts him!

Yipes. Kinda homely. (And he stole all his insults from old "Dead End Kids" films.) Well, maybe he looks better when he smiles.

Gah! He's hideous! Who's his biological father? The Prankster? Criminy! I can forgive a lot in a guy (evidenced by my continuing relationship with Weight Wizard) but a deficient personality and an ugly mug? Good night male nurse!

All that aside, I must say that "Action Comics" #356 had an intriguing undercurrent. Leather-loving outsider "caught... with the meat in his mouth" approached by a brawny, elaborately-moustachioed older gentleman who wants to be called "Dad"? (Haw! Your father's mustache, Pocketbook Pete!) I dunno. It just really resonates with me for some unknown reason.

Anyway, like a lot of father-son relationships, Annihilator and Son hit a rocky patch when hijo ingests some contraband substances.

"All right, son! I'm glad to share my super-power with you." Which of course the Annihilator is going to say, since his own super-power has worn off, and the smirking little shit he calls "son" would punch his goofy noggin off his fat neck if he so much as looked at him funny. ("Daddy-o." Aw, for chrissakes, DC Comics of 1967--!) You know what I would have liked to have seen in "Infinite Crisis"? Son of the Annihilator and Superboy Prime going all "Rock'em Sock'em Robots" on each other. Just get rid of both of those annoying dillweeds at the same time.

So. The Son of the Annihilator is a lot of things, but one thing he's not is cool. He needs one of my patented Blockade Boy makeovers, pronto!

Ah, that's better. The Son of the Annihilator... wait, he needs a name that's not so clunky... I believe I'll dub him "Kid Annihilator" or KA for short... anyway, Kid Annihilator has a shagadelic rawk 'n' roll haircut now, complete with muttonchops. He doesn't bother to cover up his facial hair with a mask like the Annihilator does because he doesn't care about protecting a secret identity. He has the Annihilator's logo on his chest, but it's bordered by three orange shapes that hark back to the radioactivity symbol. That relates to the glow of his powerful fists. His boots are fringed because it's current and groovy and youthful (for 1967) and also because I like the contrast between supercostumes and street clothing. (When it's not overpowering or overdone, I should add. Like trenchcoats... ugh!) In my sketches he had a fringed vest to match, but I decided it covered up too much of my design. And the color scheme is all secondary colors because it compliments the Annihilator's primary scheme and it's more far-out, maaaannnn! Now this guy would look at home battling the Teen Titans... who are as hip, sadly, as 1967 DC ever would get. In my head I can see a dynamic Nick Cardy cover with Kid Annihilator smashing his way through the Titans in front of the words "Make War, Not Love!"

What else do I see in my head? Oh, you don't wanna know. You couldn't handle it! What? You're sure? Okay, I'll share one more thing: I can see Weight Wizard's face after I disrobed in the Conjugal Visit Pod at the addiction treatment center. I take it he'd never seen a robotic dingus before. And he'd especially never seen one with my self-designed Robot Hand with Pimp-Slapping Action attachment! Oh, I'm sorry. I'm sharing too much. Suffice it to say Weight Wizard learned his lesson. For now! And inbetween visits, he can think of me while he tries to scub off the huge motor oil stain I left on his back. Er, I'm sharing too much again, aren't I? See you next Monday!