Showing posts with label phonies. Show all posts
Showing posts with label phonies. Show all posts
Friday, July 25, 2008
And Now, a Heart-Warming Tableau
Alien Super-Villain One: Indeed! Our people shall rejoice when they behold-- wait. You're being sarcastic again, aren't you?
Alien Super-Villain Two: NO, Dad, I'm seriously pumped about spending "quality time" with you. This is way better than hangin' out at the Olympus Mons Galleria with my friends.
A S-V 1: Still thy tongue, stripling!
A S-V 2: Yeah? How's about you suck it, old man? 'Cause I could honestly give a shit about helping you kill this alien dough-ball here.
Shield: I'm not doughy! I'm barrel-chested.
A S-V 1: Have you no sense of history, boy? For millennia, have our proud ancestors imposed our singular will upon trembling galaxies, and...
A S-V 2: Screw that shit! What about my dreams?
A S-V 1: What "dreams" would those be? I don't see you working towards anything! Unless you're in training for the "Napping and Acting Sullen Olympics."
A S-V 2: They don't even hold that event anymore and you know it, Dad! By the Emerald Void of K'thglz, you're so fucking lame!
A S-V 1: HEY! YOU DON'T TALK TO ME LIKE THAT! You know what? That's it. You're grounded. No hover-biking for seventeen solar-cycles.
A S-V 2: But--!
A S-V 1: Nope! This is final! And don't even think about whining to your mother about it. I'm not changing my mind.
A S-V 2: You--! I HATE YOU! I SO FUCKING HATE YOU RIGHT NOW!
Shield: Look, can I just go, or...
A S-V 1 and A S-V 2: Quiet, you!
Tuesday, June 24, 2008
Now, Which Osmond Brother Is He Supposed To Be...?
Princess Projectra should apologize immediately, as Chameleon Boy's plan is obviously fool-proof.
Chameleon Boy is a little bit creepy, and a little bit rock-and-roll.
Monday, December 24, 2007
Oh, There's No Place Like a Hover-Biker Bar for the Holidays
Yeah, I'm writing this post drunk. SO WHAT?
Sorry. I'm a little testy right now. Lemme explain.
I got my final paycheck from my Undercover Santa gig at the Mall of Lallor. That was fine. They even threw in a bonus for all the extra business I was able to drum up; it seems that I was their most unforgiving, brutal Santa Claus ever, and it brought in the Solstice fanatics by the rocket-load! And those nuts, they'll spend space-cheddah on Solstice merchandise with such abandon, you'd think Gold Boy himself was crapping his gilded turds directly into their purses. I
However. I can't deposit (or, to be perfectly honest, cash) the damn paycheck because the freakin' banks are all shut down. So that's Sucky Thing Number One.
Sucky Thing Number Two is how Eyeful Ethel was going to throw her employees a lavish Solstice Eve party at work today, but had to cancel at the last minute due to civil unrest. It would have been a fun bash, too, I bet. Everybody was there, save for Gadfly Lad, of course, and Storm Boy, who had visi-phoned in sick with something unpronounceable and contagious. (I bet he's canoodling with that "Ox" guy right now. ...Huh. Apparently, I believe in "Ox" after all! It's a Solstice miracle!)
We had just finished decorating the office and were wondering why the caterers were late, when that blimp I saw last week drifted by our windows. Which was a bad sign, considering we're only on the third floor. We all rushed over to "ooh" and "ah" at it. (Okay, so maybe it was more "AAAAA!!!" than "ah" but still.) The last "N" in its lighted slogan flickered out with a burst of sparks, changing its dire prophecy to "THE END IS EAR." Abruptly, the blimp banked upward and soared into a radioactive cloud. Mere moments later, it emerged, heading in the opposite direction and sinking rapidly. Several sky mutants clung to it. Its tail burst into flame. It planted itself nose-down into the public square a few blocks from us, and exploded. It was a sight to behold -- the conflagration featured an impressive, multi-stage display, with fountains of sparks; whizzing, boomeranging debris that shot gaily into the sky; and a stunning Roman candle sort of sustained burst. It was way better than most fireworks shows I've attended -- and I've attended a lot! About halfway through the blimp's lengthy demise, the lights blinked out in the nearby buildings. As if by some secret signal, hoards of rioters flooded into the streets, and started beating the shit out of one another. Then our own building went dark.
Ethel swore, loudly. Then she sighed, "Sorry, folks. Solstice is canceled. I'd advise you to all get home as soon as possible. You know, before things get out of hand."
I tried to visi-phone Klup, but I couldn't get a signal. Nobody could. The reason for this became apparent once the blazing communications satellites came pouring out of the heavens. One smacked squarely into Nightmare Boy's gloss-black Lallorghini XE rocket-car. "Oh, come on--!" he moaned.
"Didn't see that one coming, did you?" I quipped. He laughed, albeit ruefully.
As we hustled our asses out of there, I gallantly offered to walk somebody home. The only taker was Nightmare Boy.
I only had to clobber a handful of rioters at first (while Nightmare Boy cowered behind overturned baby carriages and other bits of detritus) but after six blocks or so, the crowds started getting thicker and meaner. Nightmare Boy's eyes looked positively wild, as he nervously checked street signs and his wristwatch. At one point, we had to retreat into an alley.
"Where are we?" demanded Nightmare Boy.
"Around Tcheru and 59th," I replied. "And don't take that tone with me."
He glanced at his watch again. "Duck."
"What?"
"Down on the ground! NOW!" As I blinked at him, utterly confused at this change in his demeanor, Nightmare Boy tackled me. I was about to smack him in his beautiful face when the engine block from an exploding zoom-lorry sailed overhead, right where my head had been.
Nightmare Boy rolled himself off of me, and smiled. "I saw that one coming! Oh, and you're welcome." He burst into the universe's suavest-sounding giggle fit. (It was very George Takei-like.) He hopped to his feet and extended his hand to me.
Flushed with embarrassment, I allowed him to help me up. "Thanks, dude," I said. "And I'm sorry I've doubted you. I guess you're not a big phony after all!"
"Not all the time, anyway," he grinned.
I scouted the other end of the alley. The chaos was less-pronounced on the adjoining street. I motioned for Nightmare Boy to join me. I explained to him that the crowds were getting too thick and too violent for us to safely make it all the way to his home, and that we were better off finding some place where we could hole up until the next morning.
I noticed that a hover-biker bar across the street still had its lights on, and suggested it to Nightmare Boy as a suitable spot. Two muscle-bound patrons tumbled out the establishment's front door, trading punches. Then they started to make out.
Nightmare Boy's pallid complexion blanched to lily-whiteness. "I think I see a dance club a few blocks down," he gulped. "That would be good, too."
I squinted, trying to make out anything beyond the veil of smoke he was pointing at. "What, behind that overturned acid tanker and the Burning Effigy Parade? Good luck with that."
In front of the hover-biker bar, the two men had interrupted their make-out session to resume belaboring each other about the head and groin.
"I'll take my chances," replied Nightmare Boy. Convulsively, he darted out of the alley, and disappeared into the haze.
So here I am, by myself on Solstice Eve, in a hover-biker bar. I'd be tempted to brave the riots again, except the owner has had to activate the inertron shutters. No one enters; no one leaves! The Solstice carol videos belched out by the holo-box are bracingly gory affairs, but around their twelfth repetition they've lost their luster. The floors have filmed over with a combination of dirt, melted radioactive snow, and various bodily fluids. There's nothing to eat except soylent snacks. The heater is stuck on "blast furnace" level, which means I'm currently swimming in my own perspiration. I've been in three fist-fights already. None of them have ended in a make-out session, goddamn it. My vision is blurry. (Whether it's from the alcohol, the chokingly thick clouds of cigar smoke, or the pool cue chalk that nailed me in the eye when I first entered, I'm not sure.) An hour ago, somebody vomited into the complimentary bowl of rum punch. And to top it all off, the owner just came around with a box of those tacky dark beast ears (on headbands) for everybody to wear. I put some on. Because I don't care, anymore. "The end is ear," indeed.
...Hold the visi-phone! There's a hot, beefy dude "making eyes" at me, and he's got the brawniest arms and the lushest salt-and-pepper beard I've ever laid eyes on! I'm gonna walk over there and see if he wants to "wrestle." It looks like this day won't be a total loss, after all!
Happy Solstice, everybody!
Monday, May 07, 2007
Rescue Me: Red Skull III
I know assassinations of characters who have appeared in "Captain America" are all the rage nowadays (your time) but I believe my current subject was the first. And unlike a certain chemically-enhanced blonde muscleboy freak I could name, Red Skull III managed to get unexpectedly assassinated without a lot of soft news stories or needless tie-in books. It wasn't one of those queeny, hand-fluttering, melodramatic "oh, look at me!" type of assassinations.
Red Skull III was just one of dozens of second-tier -- oh, alright, make that fifth- or eighth-tier villains who got themselves whacked by Scourge in the 1980's. I've argued before that these deaths were needless, that all these poor bad guys needed were better writers and better costumes, but I can (sort of) understand the reasoning behind whacking Red Skull III. He was a duplicate of a more famous and iconic villain: Red Skull II! Or Red Skull I, if you want to be an annoying entitled retcon-happy fanboy doofus. (Have I mentioned that I didn't really die in "Adventure Comics" #345? ...Oh, I have? Er... um...oh.) See, Red Skull I, the first one to appear in print, was an American businessman. The second and more famous Red Skull was a Nazi, and he was such a smash that it got decided later on that he was actually the first one and that businessman Red Skull was just an employee of Nazi Red skull. Phht! Whatever. The third Red Skull (or second, according to the aforementioned retcon-happy fanboy doofuses) was a Communist phoney (like Michael Moore!) and wound up in the interesting position of fighting one of the fake Captain Americas. Two fakes battling each other... sounds like your typical Presidential debate! Er, anyway, I don't see the problem with having two coexisting villains with the same name. Maybe that's 'cause I'm from the DC Universe, where we have two heroes with the same name all the time. Like the Tornado Twins! Okay, so maybe that's not a great example.
But here's my theory: Red Skull III was already a little different from Red Skull II by dint of political affiliation. All they had to do was give him a different visual theme. And maybe use the Russian version of his code name, whatever that is. Unless it sounds stupid, in which case never mind. So here's how I'd have gussied up Red Skull III:
It's Sci-Fi, see? Sweet! The "skull" part is a gas mask, patterned after this Soviet-era model. To rationalize the gas mask, I figure the Commie Skull's modus operandi could be one of the Nazi Red Skull's tricks: hit folks with a face-deforming gas and Red Skullerize 'em. Which he admittedly ripped off from the Joker, but hey! It's a good theme. I initially was just going to pair the gas mask with a Soviet military uniform, but that didn't differentiate him enough from the Nazi Red Skull. But I really liked the combo of the gas mask and the hat -- so much so, in fact, that I was tempted to keep the hat when I changed the outfit to a body suit. But of course, that would have caused the whole ensemble to veer into S&M Territory (a bleak, rubbery wilderness occupying much of what you folks currently call "Massachusetts").
The suit has a big honkin' Soviet star on the front, surrounded by a ribcage design. So it's like the star is his heart... if he'd gotten in a car wreck and the impact had forced it from the left side of his chest to the center of it. Again, bad example.
Style-wise, I tried to emulate Soviet posters, with their simplistic forms, solid blocks of color and charcoal shading.
Next week? Rescue Me: Black Abbott! And the first thing I'm doing is getting rid of the extraneous "t".
Previous "Rescue Me" challenges:
Red Skull III was just one of dozens of second-tier -- oh, alright, make that fifth- or eighth-tier villains who got themselves whacked by Scourge in the 1980's. I've argued before that these deaths were needless, that all these poor bad guys needed were better writers and better costumes, but I can (sort of) understand the reasoning behind whacking Red Skull III. He was a duplicate of a more famous and iconic villain: Red Skull II! Or Red Skull I, if you want to be an annoying entitled retcon-happy fanboy doofus. (Have I mentioned that I didn't really die in "Adventure Comics" #345? ...Oh, I have? Er... um...oh.) See, Red Skull I, the first one to appear in print, was an American businessman. The second and more famous Red Skull was a Nazi, and he was such a smash that it got decided later on that he was actually the first one and that businessman Red Skull was just an employee of Nazi Red skull. Phht! Whatever. The third Red Skull (or second, according to the aforementioned retcon-happy fanboy doofuses) was a Communist phoney (like Michael Moore!) and wound up in the interesting position of fighting one of the fake Captain Americas. Two fakes battling each other... sounds like your typical Presidential debate! Er, anyway, I don't see the problem with having two coexisting villains with the same name. Maybe that's 'cause I'm from the DC Universe, where we have two heroes with the same name all the time. Like the Tornado Twins! Okay, so maybe that's not a great example.
But here's my theory: Red Skull III was already a little different from Red Skull II by dint of political affiliation. All they had to do was give him a different visual theme. And maybe use the Russian version of his code name, whatever that is. Unless it sounds stupid, in which case never mind. So here's how I'd have gussied up Red Skull III:
It's Sci-Fi, see? Sweet! The "skull" part is a gas mask, patterned after this Soviet-era model. To rationalize the gas mask, I figure the Commie Skull's modus operandi could be one of the Nazi Red Skull's tricks: hit folks with a face-deforming gas and Red Skullerize 'em. Which he admittedly ripped off from the Joker, but hey! It's a good theme. I initially was just going to pair the gas mask with a Soviet military uniform, but that didn't differentiate him enough from the Nazi Red Skull. But I really liked the combo of the gas mask and the hat -- so much so, in fact, that I was tempted to keep the hat when I changed the outfit to a body suit. But of course, that would have caused the whole ensemble to veer into S&M Territory (a bleak, rubbery wilderness occupying much of what you folks currently call "Massachusetts").
The suit has a big honkin' Soviet star on the front, surrounded by a ribcage design. So it's like the star is his heart... if he'd gotten in a car wreck and the impact had forced it from the left side of his chest to the center of it. Again, bad example.
Style-wise, I tried to emulate Soviet posters, with their simplistic forms, solid blocks of color and charcoal shading.
Next week? Rescue Me: Black Abbott! And the first thing I'm doing is getting rid of the extraneous "t".
Previous "Rescue Me" challenges:
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